On Culture: Mistresses in China an South Korea

Asia News Network reports that:

Seoul - The increasing popularity of "ernai," or mistresses among wealthy men is emerging as a problem in Chinese society, the New York Times reported on Wednesday.

Amid the rapid development of the country's economy, large numbers of those fortunate enough to enjoy the prosperity are having affairs with mistresses, making it the symbol of the rich.

"Keeping a mistress is just like playing golf," a man told the New York Times concerning the issue, adding "both are expensive hobbies." Those seeking such liaisons offer lavishing apartments or cars as well as monthly allowances.
However, the public is angered by the trend. Chinese prosecutors believe about 90 percents of governmental executives accused of corruption have mistresses, sometimes more than 10.

In December a government employee allegedly murdered his mistresses and abandoned the body in a river when she asked for $3 million in return for putting end to the relationship.

Zheng Beichin, a lawyer who had defended a mistress, told the New York Times "the nation's elite, including judges and government officials, have little desire to tinker with the status quo."
Meanwhile, a similar phenomenon exists in Korea covertly under the name of "sponsor contract," where rich men provide money and a home to women in return for relationships.

Summer of China in Milwaukee

I went with a friend to the Milwaukee Museum of Art for their The Emperor's Private Paradise exhibit which features furnishings, sculptures, decorative arts and paintings from the Qing dynasty when Emperor Qianlong ruled (from 1736-1796).

We were able to join the noon time gallery talk which greatly enhanced the experience. I learned about this wise yet ruthless ruler, who presided over the largest country at it's zenith in terms of wealth and power. (Who knows what the future will bring?)

I also learned about the symbolism like the three friends of winter (bamboo, pine and plum trees) and how the Chinese painters learned to do trompe l'oeil from the Jesuits who went to China in the 18th Century. The gallery itself had life size photos on the walls of the gardens and buildings in which the articles were kept so that you really felt you were in the Forbidden Palace.

I wish I could have taken some photos, but that's forbidden.